PDF Ebook , by Janice Hardy
PDF Ebook , by Janice Hardy
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, by Janice Hardy
PDF Ebook , by Janice Hardy
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Product details
File Size: 885 KB
Print Length: 138 pages
Simultaneous Device Usage: Unlimited
Publication Date: September 29, 2016
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B01M0BE4UP
Text-to-Speech:
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Amazon Best Sellers Rank:
#38,124 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I rarely have time to write a review, but I made the time for this gem. Except for Sherry Soule's book, this is the only other one that I found to rate a five stars. There were something that I still didn't get even when others kept telling me I needed to show more. This book has an extensive segment that shows you what words are consider telling and then gives you examples. The author goes a step further by even explaining why some telling words would be better. For example, she used the word pray and explains that it's sometimes better to write the word than to show it. I will use this book many times over in my editing, and if I could give the author a six star I would. I only wish she had it in audio.
When I got the book, I was concerned that it would be another collection of nebulous advice unconnected to the kind of writing I did. I couldn't have been more wrong. Hardy walks through example after example of how a passage being "told" can be converted into a more active, interesting, and energetic "show." Hooray for concrete examples! She uses keywords or trigger words to spot problematic text, and makes the very sensible suggestion that it is fine to have these "tell" snippets in early drafts, but you should scan for these keywords when you make another pass through your manuscript and convert these "tells" to "shows" -- and she has many, many examples of doing just that.When I finished the book, I had a burning desire to walk back through my manuscripts to apply what I had learned. Her tag line "And Really Getting It" might even be an understatement. Her next book in the Skill Builders Series is "Understanding Conflict: (And What It Really Means)." I pushed the "buy" button for that book within moments of finishing this one. You will, too. Highly recommended.
How do I show and not just tell how much I learned from that awesome book, he mused? Glass of giddy rose in hand, he gazed across the rolling vineyards of Haute Provence, at a sky almost as pale pink as the wine he drank.He inhaled the scent of pine sap and harvest, happy. At last, he felt equipped: he had the story, he'd always had the story, it was just making it come alive that was the problem. After years of giving up half - way through, years of stopping, years of not understanding what was wrong with his lifeless prose, the penny had dropped - the best penny he'd ever spent - that much he knew.
This book is a must read for every fiction writer. Through my bachelors and then my MFA, people often pointed out to each other when to “show†and not “Tell†in our works and we all thought we understood as much as we needed to about that seemingly simple concept. This book proves we didn’t know even the half of it! I now exactly have to revise my novels and how to write much better first drafts. This is an ABSOLUTE MUST READ for ANY writer of any skill level and probably the MOST USEFUL CRAFT BOOK you will ever find.
This is a well-written book that explains the difference between showing and telling, discusses when telling is a good idea, describes how point of view affects whether something is told or shown, and then breaks down, in exhaustive detail, the kinds of telling, the words that stand out as red flags for telling, and how to fix the prose so that it shows. Tons of clear examples make the book even more useful.This is 201-level stuff; it's more useful for someone who's already read the basic craft books than for someone just beginning to write. I recommend it for anyone who's tired of receiving "show, don't tell" critiques.
This book did an AMAZING job of helping me finally understand this concept. All of my previous teachers just taught it as "Use action words! No passive voice!" without really explaining HOW to properly do that. This book not only broke down the actual difference in words and tone, it provided so many examples of how to fix told prose, how show/tell varies based on POV, and when it's actually OK to use telling. And it did all that in such a clear way, it was almost impossible not to understand the why and how of it. I will definitely be recommending this book to all of my writing friends (especially with NaNoWriMo just around the corner), I think it's definitely one of the most useful writing books I've ever read.
I've read a lot of writing books. They almost always mention "show don't tell," but sometimes don't really go into details beyond the obvious. This book includes some of the best instruction I've read about this topic, going into detail about how to show effectively, how to spot when you are telling, as well as when to show and when NOT to. The book includes lots of actual examples, using different points of view as well, which is incredibly helpful. Ms. Hardy is a really great teacher-- I'm so glad I read this one! I will need to reread it several times, I think, to get the full value of her instruction.
I had specific problems in mind while trying to punch up a novel I'm currently writing. This book not only helped me solve those problems but pointed out mistakes and poor writing that I didn't even realize exist.While other books may occasionally offer some advice that helps, nearly every page of this book contains something you feel like underlining for future reference. *(but don't because you'll end up underlining practically the whole book)Best of all is that she offers fantastic, concrete EXAMPLES regarding every bit of advice. This is what other books lack. They criticize a style or some slopping writing technique, but don't even bother to give you an example, or one that truly helps.If they had a 10-star rating, I'd give it 10. Absolutely amazing book.
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